Christian diorama "shadow box" with crucifix from the 19th century, dated to 1877. Victorian "Shadow box" 100 days of indulgence for the owner who prays to this diorama. The Victorian era was characterized by rich ornamentation, drawing inspiration from the deeply rooted Gothic tradition in England. This can be seen in the frame, stylized with floral leaf motifs, transitioning into Gothic braiding. Double frame, topped with an astragal ornament (otherwise known as beading) borrowed from the antique tradition. The central field of the box features a three-dimensional composition of the crucifixion of Jesus. It is surrounded by fabric, arranged in ruffles, most likely silk. The crucifixion scene stands out from typical depictions. The painted background is nothing other than a painterly vision of Golgotha, the place of Jesus' death. The motif of Jerusalem is shown here in an orientalizing manner, which was a common painterly technique of that period. The crucifixion scene in a religious type, under the cross, kneeling Mary and Mary Magdalene. Jesus constitutes the main axis of the entire composition, separating himself from the image by his three-dimensional form and gilding. Wooden crucifix, decorated with "Arma Christi" (instruments of the Lord's Passion) such as: whip, rooster, or spear. Of particular note is the gold skull at the base of the cross, as it is interpreted as the skull of Adam. According to Christian tradition, Jesus was crucified at the burial site of the first man. This is followed by the entire philosophy of faith: just as Adam was the first to sin, so Jesus was the first to give his life to erase sin, hence Adam was a prefiguration of Jesus. The item is in good condition, and is a white crow for collectors.